The Adam Curtis three parter of the same name, though guilty of quite broad statements, is very impressive both visually and from a narrative perspective. Get it on the BBC iPlayer while you can.
[Apiento]
Here’s a quality interview with Andrew Weatherall and Terry Farley about the history of Boy’s Own and the record label. Looks like it was done in the studio as they were recording the follow-up ‘Substance’. Weatherall dismisses techno in fine style, and the clip also features the videos for ‘Raise’ (as Terry calls it ‘a hillbilly balearic anthem for the summer’) and the Less Stress cover of ‘Don’t Dream It’s Over’. London attitude in full flow.
Thanks to Nick Dart.
TV: Arena / Brian Eno – Eno’s Favourite Productions
January 23, 2010
Great Arena last night on BBC4 covering the work and life of Brian Eno. Eno gave Arena access to observe him working in the studio and talking with friends and colleagues including Richard Dawkins, Malcolm Gladwell, David Whittaker and Steve Lillywhite. The program is available until Friday 29th January 2010.
Here he talks about his favourite productions.
Donna Summer: Sate of Independence
“Produced by Giorgio Moroder, it’s an amazing production. Putting the crudely mechanical, duugguder dugguder dugguder, this kind of Germanic robot thing, against the incredibly sexy emotional organic gospel singing. It sounded so far ahead of people who thought they were making modern music.”
The Beatles: Tomorrow Never Knows
“Again very important for me because it was very clear that song didn’t exist before it got to the studio (plays the song on a guitar). You know… It wouldn’t have been, well I am sure it wouldn’t have been as crappy as that (referencing version he just played) but that’s the kind of thing it would have been and yet it turned into this amazing jet stream psychedelic fantasy piece and entirely to do with electronics and with the use of the studio and with a lot of brilliant open minds.”
“Then the Velvet Underground – that’s production of restraint. You have to admire people who say the best thing I can do for this piece of music is defend it against the recording industry ’cause I am sure there were all sorts of people sitting around saying ‘ooh you should get a proper drummer, it’d be so much better with a proper drummer, instead of that woman who can only hit one drum at a time’.”
He then went on to talk about his life growing up in a small town in Suffolk which was surrounded by air bases (both American and British) and in turn had 17,000 GI’s within about 5 miles of the town.
“As the town was the closest place for them to go for entertainment there were lots of coffee houses in the town, which had jukeboxes, which mostly had American music on because the clientele were mostly Americans. So from an early age i was hearing really, really good doo wop and deep southern R&B. I’ve still got some of those records. ‘Life’s too short’ by The Lafayettes, which was not a doo wop song but a very mysterious single that meant a lot to me. The main rhythmic element in it is just someone playing rim shots, playing on the edge of the snare drum, there’s no big drums in it. So you have this very sparse background feeling and this urgent singing over the top.
I was always impressed by music I couldn’t penetrate the mystery of.”
Lovely stuff.
TV: Edwyn Collins ‘Home Again’ BBC3
September 21, 2009
In music documentary terms, triumph over adversity usually refers to someone getting over a drink or drug problem of their own making. For Edwyn Collins, much loved for songs like ‘Falling And Laughing’ and ‘Rip It Up’ with Orange Juice and for his standalone 1994 hit ‘Girl Like You’, his triumph was a real one. This documentary, first screened last year by Artworks Scotland and voiced by Alex Kapranos follows Edwyn as he recovers from a brain hemorrahage and stroke in 2005, learning to read walk, and talk again – and incredibly to write new songs and eventually to make his way back onstage. The film culminates with his performance at the BBC Electric Proms in 2007 and if you can watch him perform ‘Home Again’ without welling up then you’re made of stone. But it’s the final shot that’s the real killer. Asked what he misses about his old life (which incidentally, he doesn’t really remember), Collins pauses for a long time. “Nothing,” he says eventually. “Nothing at all.”
‘Home Again’ is available on the BBC iPlayer until Friday 25th September 2009. Watch it. Also available is the Caledonia Dreamin’ documentary covering the history of Scottish pop music and in particular Postcard Records.
[Emma Warren]