We’re really into Mock and Toof at Test Pressing towers and are happy to bring you an exclusive here. This is the Mock & Toof live set that they have been touring over the past year, as they say ‘it’s been a trip!’. For those at the Big Chill they’ll be playing there on August 5th but for everyone else check this mix…

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Tour: Cos/Mes

June 28, 2011

We stopped posting flyers as a while back as it was all getting a bit Time Out around here but anyone that can be bothered to fly from Japan to play great chuggy balearic records gets our vote so we thought we’d post these flyers for Cos/Mes visiting our shores. Get high and go listen.


To explain for the newer readers, Dr Rob is the other key contributor to Test Pressing alongside myself. He lives in Japan and here writes about living in the country post-earthquake. If you didn’t know the good doctor has a radio show and you can stream it here.

When the Tohoku earthquake hit I was in Sakudiara, a small town in Nagano that has sprung up around a handful of warehouse-sized shops and a cinema multiplex. That has to be at least 500 kilometres from Aomori, Iwate and Miyagi. The areas closest to the centre of the quake. My kids had the day off school and as a soft option I had tried to lose them in Toys R Us. I had been feeling unwell all day and as I stepped out of the blare and demands of the shop I felt myself become unsteady. My first thought was maybe I actually have the flu and I checked around me to see if everyone else was OK. They seemed unaffected and I felt then like I might pass out but I noticed that the pylons around us were twanging like steel nipples. Earthquake. In Tokyo you get used to them but part of the deal with moving to Nagano is/was that they never happen here. We`ve got the volcanos to worry about instead. I asked a taxi driver “does this happen often?” He said “never”. When we got to the shinkansen station everybody was being ushered off the platforms and into a waiting room. The TV warned of possible tsunamis up to 1 metre in height. Within 5 minutes this was up to 10 metres. Trains were suspended. All mobile networks went down. We were lucky enough to live so close as to be able to stretch to a taxi home, though totally unprepared for what would greet us there when we switched on the TV.

When an earthquake of any scale hits in Japan, television broadcasts are interrupted by a colour-coded map highlighting areas worse effected and if tsunami are expected then evacuation voice overs in Japanese, English, Spanish and Chinese. These normally last for a few minutes. In the case of the Tohoku earthquake they started around 3pm on Friday March 11 and continued for a little over two weeks. Early on we didn’t get to see the tsunami footage. I guess it wasn’t available. No one able to retrive it. But news announcers were wearing hardhats in shaking studios as ceilings collapsed around them. I couldn’t understand a lot of what was going on but one of the sights that will stay with me was that of Chiba burning. It looked like they would never be able to put it out. It really did look like the beginning of the end of the world. And the quakes just kept coming. They are still coming. We had another one last night (16.05.11). I can`t quite remember the figure but there have been over a 1000 earthquakes in Japan since March 11. Over 100 of them grade 4 or over.

Where I am, in the mountains, is pretty much bang in the middle of the widest part of the main island. The safest place in terms of tsunami. This didn’t happen by accident. I once visited a beautiful coastal resort called Shimoda. Blue sea surrounded by lush green mountains. I had always dreamed of living on a beach somewhere, but the warning signs in Shimoda changed my mind. In the event of a major earthquake, leave the area immediately. So you survive a major earthquake. Your home falls down at midnight. You`ve then got around ten minutes to try to outrun a giant wave. Forget it. I am no longer dreaming of California. I have made my home in the mountains.

While the earthquakes kept coming, every ten minutes in some places, attention quickly focused on the damaged nuclear power plant on the Fukushima coast, around 250km south east. I called the British Embassy for advice. “My children and I are in Nagano (a long way away) what should we do?” “Stay inside, close all windows and doors.” “My wife is in Tokyo (a lot closer – maybe 180km to the South of Fukushima) what should she do?” “I`ll have to call you back. In the meantime check our website.” I did and some attractive young lady showed me how to pack a handbag with a bottle of water and my passport.

Friends from Ibaraki came to stay in my living room, because their roof had collapsed and they were just to close for comfort. Three adults, three children. Each adult monitoring news from a different source. The BBC, Japanese TV and direct news feeds to mobiles. It was impossible to work out what was going on and the seriousness of the situation. Japanese authorities trying to avoid panic. Overseas advising evacuation. Those British nationals living in Tokyo and the north of japan should consider leaving the area.

I kept a diary. It goes without saying since it is clear that I am that vain. And I thought about asking Paul to post pieces everyday, just to highlight the situation. But I am so far away from the real trouble. My anxieties are trivial. Largely unreal. There was a report detailing the adverse psychological effects the continual news coverage was having on young children. Constant re-runs of lives being washed away. Confused like the children I did not know if the footage was archived or was this still happening.

Every morning at 5 AM I would check the only English speaking channel for news. I would check the IAEA three times a day for updates. I remember my panic at learning there is a Unit 5. Every night I would go to bed fully clothed, In case I had to get the children up and out. Sea-sick on dry land. Can`t trust my senses Earthquakes would be detected by laundry, unable to be dried outside, dancing in the lounge. My youngest son and I watched dead Koi float in an ornamental pond. Like fallen crescent moons. Mum called to check if I have picked up any Uranium tablets. Tiny bombs. I learned to fear the rain.

We tried to send food and clothes North, but there were no routes open. The British Embassy advised that I should consider leaving the area. So I did. I packed a suitcase and got some money together but I didn’t really think about going. There are an awful lot of people an awful lot worse off, who have lost everything and have nowhere to run. And it quickly became apparent that the power plant situation was chronic. If you did run, would you ever come back? I did realize that I was beginning to lose my mind. Where I live, out of season, is deserted. I could walk for 20 minutes and not see anyone. I would wonder if there had been some public announcement in Japanese that I had missed, and everyone else had gone. I knew I had to get a grip.

In all honesty, Nagano has been largely unaffected. I don`t think the earthquakes we experienced were over grade 3. Anything higher must be terrifying. Food deliveries, the equivalent of something like Ocado, stopped and as yet haven`t fully resumed. The swimming pool closed to save on electricity. In the supermarket (we only really have the one) we suffered runs on tinned fish, milk, bread, bottled water. Toilet roll. All shortages seemingly caused by panic buying and hoarding rather than supply. Fuel was rationed to 10 litres per car and the kerosene we use to heat our home (we were still in the -20s at night) limited to 18 litres per household per week. Fuel rationing has consequences for a community that needs tourism to survive. The government lifted tolls on roads over Golden Week and the place was busy. But not as busy as last year.

In the third week, once emergency broadcasting had stopped, I made the conscious decision to ignore all media. None of it was really telling me anything I could use. Information on the IAEA is along the lines of “Today we tested radiation levels in 15 prefectures”. Which ones? “And levels ranged from 1,000, 000 to 0.1 mbq/m2.” Where is it 1,000,000 and where is it 0.1? Everyone seemed to know something you didn’t. “Oh you are safe in the mountains they will shield you”. “Oh you need to get out of the mountains, the winds will carry the radiation to you first”. But it seemed to me that nobody knew anything. I decided to ignore everyone. I decided just get on with things. But I have stopped boozing in the evening. I never know when I all my faculties may be called upon.

I called friends in Tokyo. Anyone thinking of heading further south? No. They were all staying put. So I figured maybe things weren’t as bad as they looked on TV. But when I did go back into Tokyo I was shocked. I travelled in to play at Lone Star, like most parties here now, for the indefinite future, for charity. I`d watched fellow shinkansen travelers don facemasks as we went through Omiya and arrived in Tokyo at around 8:30 pm on a Saturday night. Expecting to have to squeeze my record box, standing, onto a busy Metro train, I practically had the carriage to myself. To get to the party in Harajuku I travel through Omontesando, a busy shopping area, normally packed with hot women trying to look cool under weight of too many purchases. No one was on the platform. Changing lines, wheeling my box through deserted walkways, eerie is the word. Tokyo is never quiet. Convenience stores were dimly lit and empty. Shops and restaurants closing. Saving power.

At the party, it was understandably quiet. It became clear that many of the young foreigners we know had left the country. Gone home. It turned into one of those nights where the aging DJs are left drinking with a handful of close friends. Going for it with the bravado of Shakespeare kissing plague victims. Bravado which of course eventually slipped. By 3 am everybody, to me, looked worried out of their minds. I heard rumours of radioactive caesium in the breast milk of Tokyo mothers. Stories of protestors at the TEPCO headquarters being beaten up by plain clothes police. I realized once again, how lucky I am.

I do get the feeling that as figures for accumulated radiation begin to be made available that the situation may be worse than the Japanese government was willing to admit (I guess their standpoint – to avoid panic – has been we can neither confirm nor unconfirm until tests have been done and numbers are available) and as bad as overseas authorities have predicted all along. But now, I kind of ignore the earthquakes because we have made the decision to stay. I cook my kids` food in bottled or filtered water. I don’t let them get wet. This has become the new normal. Not so bad. Maybe easy to forget, save the pink Spiderwort in the window box. And maybe I should keep my mouth shut since I am still here sitting amongst most of my possessions. With my family. Japan doesn`t need any more scary stories. She needs support from the rest of the world in terms of visits from friends. Artists. Tourism and trade. But the other night at 2 AM I took these pictures off the TV, as cameras followed a man back to his former home in Miyagi. A solitary white radiation-suited figure on a science-fiction landscape. Completely flattened. Absolutely nothing as far as the eye can see. Stopping. Taking a moment to burn incense. To mourn. Beyond hope. The sound of bird song deafening.


[Dr Rob]

Rob Hyde is a record collector and DJ and was formerly part of Twisted Nerve’s seriously out-there band Mum & Dad, as well as more recently the motorik Eat Lights; Become Lights. Here he delivers on the psyche, Brasilian soul tip. Perfect Friday sounds.

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You can find Rob on Twitter here.


World Unknown is a night run by Andy Blake of Cave Paintings/Dissident and Joe Hart of Bodyhammer and Bloc. It is now also a record label coming your way soon and we are on the second release (our does do more than what you hear honest). They have a way with words so I am going to pass this over to them so you can read what it’s all about. For more information on the label click here.


World Unknown is a monthly underground party held in a railway arch in Brixton, South London.

It’s a post-industrial pleasure dome full of strange and often exotic music that pumps and throbs and shimmers and shakes. The 60s and 70s vintage projector-based lighting and roomful of disco-fog adds to the otherworldliness of the night which is totally unlike any other club in London, and quite possibly the world.

Noting a distinct shortage of contemporary record labels releasing the kind of music that they play at the parties, organisers and resident DJ’s Andy Blake (Cave Paintings, Dissident) and Joe Hart (Bodyhammer, Bloc) decided World Unknown should have it’s own 12” only label.

Each World Unknown release will be a split-artist 12” and there will be six coming out in the first year of it’s life. Here are details of the first two, due to hit the shops in the first week of July 2011.

Release date – early July 2011
Format – limited edition 12” only – no digital release

Side W: Naum Gabo – Whop! (Excerpt)

The first World Unknown 12” kicks off with a slamming piece of prototype house from Glasgow’s Naum Gabo aka Jonnie Wilkes from Optimo and his production partner James Savage. Showing that a relatively low pace doesn’t mean any drop in energy levels and dancefloor pump power, Whop! cracks along like something from an alternate reality version of 1980’s Chicago. It’s as easy to imagine it rocking the house at Medusa’s or the Box as it is to envision it in the present day soundtracking some kind of bizarro fetish party or a particularly intense session at Berghain’s Lab-oratory. This is jacking in the true sense of the word.

Side U: Franz Underwear – Grauzone (Excerpt)

On the flip side Italian born Berlin resident Franz Underwear ups the tempo with a stunning piece of slamming European musclebeat. Shades of Ibiza 88-89 pervade here; the kind of pumping, chunky synth action, Teutonic vocal exhortations and vaguely menacing but ultimately benign vibe that sent thousands of potty European kids totally round the bend and changed the world of dance music forever. Fuse together ideas of glamorous open air Mediterranean nightclubs full of sex-crazed hedonistic Eurotrash, sweaty, strobey, smoky South London acid-house basements with walls of bassbins at one end, and your first decent E – that one so strong and clean that your brain nearly popped out of your head and ended up on Mars, and you’re getting somewhere near what this record sounds like. Savage, joyous and teetering on the edge of sanity.

Release date – early july 2011
Format – limited edition 12” only – no digital release

Side W: Neville Watson – One Four Green (Excerpt)

If you were to cut Neville Watson he would bleed acid house, he’d also quite likely knock you flat on your arse for having the temerity to wave a knife at him, but that’s a whole other story. For his first WU contribution he ventures down the ethereal proto-house boulevard. Jacking 707 patterns, a bouncing Juno bassline and outer-space synth lines take you into the upper atmosphere for a glorious airborne joyride. As ever, Neville manages to evoke those 85-89 feelings without ever sounding merely retro or like some kind of pastiche, something that many attempt but very few manage to pull off.

Side U: Apiento – The Orange Place (Excerpt)

Over on side u Apiento, the force behind the magisterially brilliant Test Pressing website (paid him for that one – Ed), chips in with a heartfelt homage to the new beat sound. Another testimony to the fact that a lower tempo doesn’t have to mean diminished energy levels, The Orange Place simply oozes class from top to bottom. Like some lost Ancienne Belgique classic it pounds and pumps along, building up the tension all the while until the quasi- Eastern refrain lets loose half way thru and all of a sudden a mystic portal opens up in the space-time continuum that leads all the way to Southwark Street in late 87.

For label and other World Unknown info email Andy and Joe here and for distribution enquiries mail here.

World Unknown are also having a launch party in Brixton on Friday 8th July. It won’t be the usual record launch party though. Just the usual WU faces, two bags of records, a smoke-filled room and a big black wall of speakers pounding out the pressure. DJs on the night are Andy Blake and Joe Hart of World Unknown playing throbbing electronic music for dancing™ from 11pm -6am. Email the chaps here for £5 list all night (ltd to first 50).

Our regular Brixton Venue, a railway arch far far away from the tyranny. It’s easy to get to by tube (Brixton 10 mins walk), overground (Loughborough Junct 30 seconds) and bus. The 35/N35 stops right outside and runs all night and day. Address will be sent closer to the time.


Love the New Order cover on this one. Brody playing Saville at his own game. So good piece on early casual culture here from July 1983 courtesy of Kevin Sampson and Dave Rimmer.

Happy Fathers Day…

June 19, 2011

Big hello to all the dads and here’s a killer video for you.


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